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The Structure Seminars Developing A Basic Documentary Structure This two hour seminar-presentation makes use of clips from classic and currently popular documentary films to illustrate common types and facets of documentary structure. The differences and similarities between essay format and documentary storytelling are examined. More importantly, it outlines in detail a method for developing the foundation needed for either format. Topics covered include: the advantages/disadvantages of structure, the risks of structuring too early or too late, the basis of structuring, the principles of set up and pay off, and what is needed to create the three necessary parts of structured narrative: the beginning, middle, and end. Applying Dramatic Structure to Documentary Film The second lecture of the series covers the principles that lie behind dramatic three act structure and uses examples such as Capturing the Friedmans and Touching the Void to examine how these principles can be applied to documentary film. Topics discussed include: the nature and movement of dramatic acts, how dramatic units are combined to define the total structure, the different functions of major turning points, and how character development and conflict carry viewers inescapably from start to finish. The emphasis is always on the practical, and the seminar outlines an easily grasped method for filmmakers to use in moving from a basic to a three act documentary structure.
 
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FUTURE TOPICS Keep checking back as new seminars are in development and will be programmed shortly.
“I’ve taken many documentary workshops and courses.  This by far has proved the most useful.”
Practicing the Craft Structure in the Classic Docs: 1920 - 1930 This two hour, illustrated talk is the first in a series of proposed seminars that deal with various aspects of documentary film by examining how major concerns were handled by preeminent filmmakers in the past. The first seminar makes use of clips from such classic documentaries as: Nanook of the North, Drifters, Berlin: Symphony of a Great City, Man With a Movie Camera; The Plow That Broke the Plains to illustrate various classic approaches to documentary structure. As such, it provides a rare look at the historical foundations of the documentary genre. Why Structure? Four Rambling Journeys by Michael Moore Does the structuring of his documentaries contribute to Michael Moore’s effectiveness or interfere with it? What are the structural principles revealed within his films? Should documentary filmmakers imitate or avoid Moore’s structural model? This two hour, illustrated talk examines four of his best known films: Roger & Me, Bowling For Columbine, Fahrenheit 9/11, and Sicko in an attempt to find answers for these and other questions.